Using our favorite fusible applique technique, and the free pattern which can be found on RBD’s website, we created a Birdhouse Bunting!! Our bunting features Riley Blake Designs fabrics from Hush Hush, Painters Watercolor Swirl, and Hungry Animal Alphabet. Basic applique instructions are written below:
General Instructions for Fusible Applique:
Refer to photos for fabric choices/placement
Download the template sheets (using the link bottom of this post) to create your bunting flags by tracing onto paper backing of fusible web. Rough cut around each.
Fuse according to the product instructions on wrong side of selected fabrics.
Cut out the applique pieces on the drawn line, cool and remove paper backing.
Fuse applique pieces onto the background blocks according to fusible web directions.
Once all of your flags are fused you can secure your applique and/or further embellish with decorative stitching.
•
First, trace your pieces onto the paper side of your fusible product then fuse to wrong side of fabrics and cut out your blue bird pieces. I found this was helpful to do first to help in choosing my Hush Hush background fabrics.
Next, choose your fabrics.
Print out your two sheets for the bunting flag using the link at bottom of the page. Assemble with tape to form half of the flag and use this template to make the full pattern image on any craft paper of your choosing. Once you have this you will also trace the various pieces on to the paper side of your fusible product and cut out.
You can chose to fuse backing fabric to your bunting flag for a flat result as we did here or layer with batting before attaching backing fabric.
We always make a tracing paper ‘door’ to enable accurate appliqué placement as shown in the photos above. Pinning to the top of your pressing mat makes it easy to flip open and closed to nudge the pieces where they go.
The bunting flag pattern can be used to piece your top and bottom fabrics which form your birdhouse shape or fuse them as we show here. These are first, then fuse scallops, then (tape measure fabric) trim. Next we fused the birdhouse hole (black Swirl fabric) and last assembled our blue bird.
Now, for the fun part, decorative sewing!
You can see our Birdhouse Bunting finish photos on Instagram and/or Facebook later today and throughout the week.
•
*
We also used Hush Hush fabrics as the background for a Maple Leaf nine patch table top quilt, made with Painter’s Watercolor Swirl fabrics. A perfect pairing with our Fall Leaves Place Card project and HERE, that we created with Painters Palette fabrics.
By this time you have your three snowmen blocks completely fused and are ready to sew. If not, as always continue at your own pace. The only thing we have left to complete these blocks now is to secure the appliqué designs to the background fabrics and add any decorative stitching. There are many stitches and styles you can use to do this and the choice is entirely yours, you’re the maker!
•
•
I am most comfortable using one of my (basic Pfaff) machine’s options that is most like a blanket stitch to outline and secure my appliqué pieces to my background fabrics. I started with the large white pieces first. These are a bit stiff since we used an extra layer of interfacing and your appliqué pieces can pull up with handling so be careful to get them well fused. If this happens however, before you are ready to sew simply press over them again to reactivate the fusible glue. If you use this type of stitch you want to lay your needle right beside your appliqué fabric edge close as you can for the running stitches.
•
•
I also chose the same color thread that best matched my fabrics or close as I had on hand. I used 50 weight cotton Aurifil. Both of these choices (blanket stitch and same color thread) seam to make up for any imperfections due to my beginner sewing skills. Of course you can go with any style such as free motion or any number of decorative stitching that you like.
•
•
I continued by sewing the next largest pieces first red, then yellow, green and so on until I finished stitching around all of the smaller pieces.
For my green, I only had a lime shade but I think this helped to distinguish the tree branches against the two darker fabrics.
•
•
Remember! These blocks still have to be quilted so, hold off on any 3-D embellishments like buttons or charms, etc. Which explains the blank look on our snowmen faces. Lol! I actually have tiny black buttons for his eyes and mouth and can’t wait to see them finished. 😉
•
•
We will post our finished blocks on Instagram and Facebook so, if you want to see our updates and the rest of our blocks in this quilt, plus anything new, you can follow us here:
All About Christmas fabric has delivered and is in a shop near you. Find a list of retailers in my last blog post here.
This collection is beautiful! It includes the Christmas story from Luke 2 making it VERY Christmas-y and we especially love those details. In addition, the printing quality is wonderful thank you to our fabric partners at Riley Blake Designs.
•
•
So, here we go with another little Sew-A-Long. This time it will be a mini. The two items that we will be sharing over the three weeks are,
Our three large snowman blocks (row 4)
Reverse raw edge appliqué blocks (rows 1 & 5)
This week we will be looking at number 2, reverse raw edge fusible appliqué for the ornament blocks. The snowflake blocks are done the same way only much less detail so we will be focusing on row one.
Do you have your pattern and fabric ready? If not, visit this link to find a shop.
Are you ready to sew?! Let’s go! According to the All About Christmas pattern instructions, it is important ‘To Get Started’ by cutting fabrics for the large snowmen blocks FIRST. This assures that you will have the larger fabric cuts set aside when you need them. Follow the cover art for the fabric choices and make cuts according to the pattern instruction page(s) and directional fabrics. If you are new to the technique of reverse raw edge appliqué I highly suggest reading the pattern in it’s entirety before starting or cutting into your fabrics.
•
•
Since some of our designs for this quilt were stencil-like with white as the main center image (see the snowflake and ornament rows), we selected this reverse appliqué technique. Often with appliqué we will use a second interfacing product to mask the background fabric from showing through our white however, we found this to be a better option for the ornament and snowflake blocks on this quilt. The photos below will offer a visual aid so-to-speak to support this explanation.
Once you’ve cut your fabric squares for blocks in Rows 1 and 5, you can begin tracing the designs onto your fusible web product according to manufacturers directions. We like Pellon Featherweight Fusible 805. Be sure to trace all of the pieces that make up the inside ornament designs before fusing. You will be using those to help your fabric remain as a continual image. Fuse to wrong side of fabric considering whether your fabric square will be using a directional print and align accordingly.
•
•
When you go to cut out the ornament rounds, be careful not to cut through the outside square itself or those tiny pieces. You can see at the bottom of our ornament photo below where we began poking the scissors through to cut around the perimeter only. This way, when the traced ornament is removed, your background stays completely intact. Then cut your smaller (traced beforehand) pieces and set them aside somewhat in order, or you can number them if that helps.
•
•
Once all of your ornament pieces are cut out you are ready to fuse. Sandwich the colored fabric silhouette squares on top of your Riley White squares that will show from underneath. You can place the pattern flipped upside down (since already in reverse) beneath your layered fabrics to use as your placement guide. Or, another method that we like to use, is a tracing paper door, as we call it. The photos below plus this link will explain. Simply put, we trace the block template image(s) onto ordinary tracing paper and pin down on one side of your block to help with accurate placement in the event the paper pattern does not show through your fabric. We also found that using tweezers was the easiest way to then nudge the tiny pieces into place. When you get them where you like, fuse!
•
•
Here are our results. Now for the fun part, stitching them down. I will be using thread to match and a blanket style stitch. I find both are somewhat forgiving. You may choose to use any number of decorative stitching to add these details if you prefer over these tiny appliqué pieces. This is where your sewing skills will shine beyond my limited experience so please, send progress photos! And have fun of course 😉
•
•
I hope you had fun sewing along with me! If you have any questions about this technique, leave a comment below! See you next week for the BIG snowmen blocks.
Since there is a lot of info to cover this last week will be in two parts.
Assuming that everyone has all of their blocks completed and trimmed or will have, it is time to assemble!
•
To start assembling the quilt portion, I cut five one and a half inch strips of Riley White fabric for the short sashing pieces. Check your pattern for accurate amounts if you want to cut all at once. I inched my way into this process, no pun intended.
From my five I cut eight and a half inch lengths, enough to attach my first couple of horizontal rows of blocks together. Refer to your pattern cover for block placement.
•
Beginning with block one (top left) lay one of your Riley White strips (1.5″ x 8.5″) on the right side of Block 1, right fabric sides together. Split the difference of the extra half inch between top and bottom of your block to be trimmed later.
•
Sew together using a quarter inch seam.
•
Press the seam toward your block.
•
Repeat the steps to connect block one and two together with this same sashing strip. This time lay block two on top of sashing strip lining up at right (see photo), again right fabric sides together, being careful to also line up both blocks top to bottom. You may want to pin in place before sewing.
•
Continue working this way until you have all of the top row of blocks connected. Then move on to row two!
•
And so on, until you have all of the blocks that connect using the short sashing pieces as shown on the pattern cover art. Seeing it all come together is the most fun for me, agreed?
I will post Part B on Saturday so stay tuned.
•
Embellish Options.
This festive project is loaded with possibilities to stitch on some fun extras! We plan to add buttons for our snowmen eyes and gingerbread man but remember to do this after your quilt top has been quilted.
I am happy to report that our piecing portion of our quilt is complete! Whew!!
•
A couple of items I should have mentioned earlier, pressing your seams. Always press as you go is highly recommended for a neat job and press the seams toward the darker fabric whenever possible.
•
And something I learned along the way to get my points closer to each other. Sew on the side that allows you to see your seam and stitch right across that. Who knew, not me. 😉
Below are the last four blocks that I saved until last. They appeared a bit more unfamiliar to me because of the corners which are all similar, and on an angle. However, following the sequence on the Pieced Blocks Guide in the pattern, I could quickly see that there was little to no difference in difficulty and all went smoothly as the others.
I think these are my best blocks to date! Perhaps I’m getting better the more I make.
In each block I did the corner work first. Once that was done, I attached pieces in the same sequence as all of the other blocks from Thursday’s post, horizontal rows. Last I attached the three horizontal rows from top to bottom, to complete.
Our gallery.
•
Row 1, block 2.
•
Row 4, block 3.
•
Row 6, block 1.
•
Row 7, block 6.
•
Trimming.
•
•
Trim each to eight inches, square for your seven and a half finish size blocks. In most cases ours only needed a smidgen cut off to clean up and even each block.
Again, voila!!
I feel quite accomplished or should I say quilt, and I hope you do too.
•
•
Again, share, share, share:
When posting photos use #snowalong and #snowsweetfabric in your social media so we can find/see your progress.
Let us know if you post on Pinterest as well and we’ll add to our board.