fabrics from Riley Blake Designs!
Follow us here at JOY STUDIO for each step over five weeks to make this delightful and delicious quilt top.
Patterns and fabric are shipping now so check with your favorite shop for arrival times. MANY shops have ordered this so patterns, kits and fabric should be widely available.
If your local is still closed check the on line shops. Search Snow Sweet fabric and Sweet Snow-A-Long.
J. Wecker Frisch
Anyone can make this. We know because WE DID!! Lol And as you know, we are still new at this. I hope you can join us to make this really fun snowy quilt and cool off your summer!!!
Hello to everyone at home. And sewing?
If you ever thought of making one of our large scale
She Who Sews
series for your studio, now would be a good time. Patterns are
in the shop through May!
And we have fabric kits (limited supply) for
as she originally appears on the pattern cover using our
and a few basics plus a Paris version using my
fabrics from Riley Blake Designs. Both collections are available in shops now.
I am making her up in the later currently and for the first time ever actually and, I’m liking!!
Fabric background back story below.
• Back story on the background text fabric is that the text was inspired by a little antique children’s book of prayers, in French! Sew sweet. Although I cannot interpret them, I was pleased to make this a part of the Couturiere Parisienne collection in lieu of my standard snippets of scripture. Parfait!
I’m sure we all agree that we are still in such a strange time but keep creating is my plan. And praying. It helps, right?!
Au revoir mon ami!
Hat Shop Sew-A-Long, last post.
Adding your borders is all that is left to do!
This can be done in a couple of different ways however, I will only be describing how I actually, chose to finish this quilt.
First up, the inner 1″ (finish size) black border. Make sure that your window blocks are squared up by trimming, measuring and placing your tracings over them before you add this border. Pay special attention to you last row of blocks so that all of the items will appear to be sitting on the bottom shelf of your window. It was necessary for me to trim mine about 1/2″. Then pin and sew with your 1/4″ seam.
Secondly sew on your gray borders to three sides. Top, right and left. I cut them 2″ for an inch and a half finish.
Because I did not want to stitch around the appliquéd bricks after the borders were added to the quilt top, I simply strip pieced both of the borders together to treat the entire unit as the bottom border. Then I arranged the bricks (omitting one) making up the window sill approximately 1/4″ or so apart, evenly to fit directly under the black inner border. When I was satisfied with the placement, I fused the bricks to the gray and black unit, overlapping the seam slightly. This made stitching down the bricks much easier to manage than turning the entire quilt. I did however, stray from the pattern a bit. As you can see, the brick window ledge was confined to the bottom border only. You can choose to add two more bricks, one on each end after you add your side borders. I plan to do this as I show in the last photo in the segment below.
If you made it through the Hat Shop SAL, be proud of yourself! I was, and also quite surprised. This was a very intimidating challenge for me but I pushed through and learned much by making this project. Now my top is off to the quilter and I will share the finished piece with you soon.
Facebook Joy Studio
From ART to APPLIQUÉ.
Thanks for following and hopefully, sewing-a-long.
So long, for now.
We are coming into the Hat Shop home stretch now!!
Hopefully all of your blocks are fused, sewn down to secure your appliqué and you have added any embellishments or fancy stitching details that you care to create. Assuming this is the case, lets assemble your blocks.
Trimming the windowpane blocks.
Using your tracings that we made in Week 2, lay over each block one at a time. I started in row one and worked my way down. Carefully match your line drawing to your appliqué beneath and trim two sides (only) on the solid lines previously marked using the pattern. This was a scary step however, if you followed the pattern closely, items will meet up fairly well. So, trim all of your block sides in row one, then two and finally row three.
Sew each row together.
Once all four blocks in any given row are trimmed on each side (only), stitch the blocks together using a 1/4″ seam allowance. Peek underneath each one in an attempt to meet your corresponding appliqué pieces and then pin.
Your sewn rows will look something like the photos below.
As you can see, mine are not perfect, not even sewn the same on each side however, two things I kept in mind as I pushed forward.
1) The window mullions will cover my seams and conceal any obvious errors.
2) I recently heard or read Jenny Doan remark, “finished is better than perfect.”
Next we trim again, top and bottom of each row. I wanted to see how my images lined up horizontally first so this is my suggestion. My rows ended up trimming to 16.5″ high, although the pattern cut line was at 17″. After you trim each row it’s time to attempt to match up the yellow hat appliqué and also the vertical background stripes. My primary focus was on the latter.
Making the window mullions.
We used Riley Blake Designs Confetti Cotton in black for the windowpane dividers. I did not have a half inch bias tape maker so I used the one just under. I cut six 7/8″ – 1″ strips selvage to selvage, not on the bias! We do not want these to stretch. Then I made my folded strips and pressed a double sided fusible tape on the back in which to cover my seams.
Next, press on your strips across the two horizontal seams. Then stitch the edges using a straight or decorative stitch.
Repeat the same for the three vertical dividers. I used the extra strip to piece the vertical strips as they were about 7- 9″ shy.
This sounds like a lot but really, it goes very quickly. In fact I’m sure that most of you will complete week 5 in a day! I did!!
Next week, the borders and bricks. It will also wind up our sew-a-long.
If any of you would still like the BONUS hat, spools and button pattern, SHOW us your progress using #hatshopsewalong on your social media and leave me a comment or email. We’ll send just let us know:
Again welcome to the Hat Shop Sew-A-Long!
Picking up from last week,
Sewing the details.
As I shared in week two, if you want to add decorative stitching and other trims to enhance each block, you may want to do that before piecing all four blocks together for easier turning. Whether you already assembled your top row before placing the text or not, either way is OK. I still have only fused and stitched down the red hat pieces. We will be stitching the remaining eight applique blocks in their entirety before assembling each row.
Pattern correction, derby wooden hat form applique should be extended to the hat brim, as if to appear going up into the hat. I marked the pattern with red dashed lines in the photo below. Also, the bottom of the rose needs to move up to be even with the hat band also indicated with red dashed lines. See third photo:
This week, fusing row 2.
Lining up the vertical stripes.
If you have a pieced background the most important thing to check in starting row 2 is matching up your vertical stripes! So, before pinning or fusing, match your stripes using your traced block patterns described in week 2, Making an appliqué placement door. Most likely, your stripes will not match the patterns stripes exactly. Mine did not, but were close. As long as you keep the second and third row consistent with your blocks in the previous row, then placement should match up. See below that my blue stripes are slightly to the left of the traced sheet in all three rows/photos. Next we will be using our tracings and placement door, for each of the four blocks in row 2, repeating the same steps as we did in row 1.
Block 1, Row 1
Block 1, Row 2
Block 1, Row 3
Applique fusing sequence.
The best way to determine what is fused first is by laying out all of your appliqué pieces on their corresponding blocks, carefully checking with your pattern cover and technical illustration. Much like the red hat described in week 2, the majority of the hats are fused in a similar order.
For example the derby:
vertical stand post,
and then the rose.
Hat number 3
I chose to use Couturiere Parisenne from Riley Blake Designs, red bold text rather than attempting the red stripes on hat three with my limited sewing experience. Letting the fabric do the work for me while still offering a similar visual impact was a lot less intimidating for me, a novice.
Secondly, we used an interfacing in between the applique and the fusible web to help hide the background for all of the white hats. We used Pellon 911FFW1. As you can see, my stripes are still visible so you may want to choose something heavier for a total mask.
Appliqué Fabric Option
Once everything is fused in row two, you can begin the decorative stitching. Take your time, have fun. This part is where you can really get creative! Again it’s always a good idea with fusibles to at least secure your appliqué with some stitching.
We will plan to assemble all blocks after rows one, two and three are fused and sewn down.
Please forgive me, we did not forget last Saturday’s giveaway, only postponed. We’ll keep you posted.
Stay tuned to Instagram and Facebook for additional news and hat shots.